TC2 Loom| Digital Weaving Machine
TC2 Loom| Digital Weaving Machine
The Thread Controller 2 (TC2) is a Digital Jacquard loom manufactured by Tronrud Engineering Moss, Dept. Digital Weaving Norway. The TC2 loom is a tool that assists during the Innovative or the Creative phase of the making of the textile and is designed primarily for Sampling, Rapid Prototyping or Product Development purposes. Many of our customer also use the loom for creating one-offs/ special commissions (textile artists, for example) and mass customization. The loom is computer-controlled and manually-operated because it is designed to be operated by the creator/ designer/weaver.
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The TC2 allows the user to make a perfect quality sample with the desired fibers, weave structures, warp and weft densities and colours within hours! Changes are instant; start & stop as many times as required, without problems. The point is that with a TC2 loom, you get the samples at the latest next day and you get them where the decision-makers/ customers are. One can make a sequence of samples varying for example the scale of the design, weave structures, warp and weft density/colorways etc. With the TC2 loom, it is possible to evaluate the design visually as well as the actual hand or the feel of the fabric.
What materials can be used to weave on a TC2?
A wide range of fibres can be used on a TC2, but in general, Digital Weaving Norway cautions against typical floor rug qualities because of heavy/stiff materials and high pick densities. All animal and vegetable fibers will work in the TC2 loom, as long as the yarn is not very short-stapled and/or with few torsions per length unit: The general rule is that if the thread breaks easily when you pull it gently between your hands, it should not be used as a warp material. Linen, cotton, hemp, silk and wool, animal hair such as lama, alpaca and camel hair will work excellently and also, viscose and synthetics. DWN has customers working with materials such as fishing line, surgical steel wire, copper wire, electrical cords with different coatings, polyurethane/ lycra elastics, polypropylene ropes, paper yarn etc.
How to make a warp for the TC2?
There are two ways: first is the Handweavers way, which is with the rotating warping mill and the second, is to send the beam to a factory where they can use a warping machine to transfer the warp.
Software Requirements:
Designs for the TC2 can be made on the following software platforms:
Photoshop (or other image processing programs) plus the Loom Controller (the loom driver)
All industrial Jacquard programs in the market able to save their card files in one of the following formats: JPG, TIFF, BMP and WIF.
The Controller software also runs under Linux and MAC. The Loom Driver software is included in the package, but no computer or design programs such as Photoshop.
Textile - Jacquard, Weaving, Automation
Jacquard loom, engraving, . At the top of the machine is a stack of punched cards that would be fed into the loom to control the weaving pattern. This method of automatically issuing machine instructions was employed by computers well into the 20th century.
The French inventor Joseph-Marie Jacquard, commissioned to overhaul Vaucansons loom, did so without the directions, which were missing. In , at the Paris Industrial Exhibition, he demonstrated an improved drawloom. In 05 he introduced the invention that ever since has caused the loom to which it is attached to be called the Jacquard loom.
The Jacquard attachment is an automatic selective shedding device, that is mounted on top of the loom and operated by a treadle controlled by the weaver. As in the drawloom, every warp yarn runs through a loop in a controlling cord, held taut by a weight. Each cord is suspended from a wire (hook) that is bent at the bottom to hold the cord and bent at the top in order to hook around the blades or bars of the griff, the lifting mechanism. To allow only those warp threads that are needed to form the pattern to be raised, some hooks must be dislodged from the rising griff. This is accomplished by horizontally placed needles connected to the hooks. As the perforated pattern card moves into place on the cylinder (which is, in fact, a quadrangular block), the needles pass through the holes in the card, and the warps are raised; where there are no holes, the needles are pushed back (by a spring action on the opposite end of each), pulling the hooks away from the rising griff bar, and the warps are not raised.
Each card represents one throw of the shuttle, and the pattern is transferred to the cards from the designers weave draft. Although each Jacquard attachment is limited in the number of hooks it can control and, therefore, in the size of the repeat pattern, several Jacquard attachments can be added to one loom so that the weaver not only can produce intricately figured fabrics but also can weave pictures of considerable size.
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The
flying shuttleThe first decisive step toward automation of the loom was the invention of the flying shuttle, patented in by the Englishman John Kay. Kay was a weaver of broadloom fabrics, which, because of their width, required two weavers to sit side by side, one throwing the shuttle from the right to the centre and the other reaching between the warps and sending it on its way to the left and then returning it to the centre. The stopping of the shuttle and the reaching between the warps caused imperfections in the cloth. Kay devised a mechanical attachment controlled by a cord jerked by the weaver that sent the shuttle flying through the shed. Jerking the cord in the opposite direction sent the shuttle on its return trip. Using the flying shuttle, one weaver could weave fabrics of any width more quickly than two could before. A more important virtue of Kays invention, however, lay in its adaptability to automatic weaving.
Power-driven looms
The first power-driven machine for weaving fabric-width goods, patented in by Edmund Cartwright, an English clergyman, was inadequate because it considered only three motions: shedding, picking, and winding the woven cloth onto the cloth beam. Cartwrights second patent () proved too ambitious, but his concept of a weaving machine became the basis for the successful power loom.
One of the great obstacles to the success of the power loom was the necessity to stop the loom frequently in order to dress (i.e., apply sizing to) the warp, an operation that, like many others, had been done in proportionately reasonable time when the weaving was done by hand. With the power loom a second man had to be employed continuously to do this work, so there was no saving of expense or time. In the early 19th century a dressing machine was developed that prepared the warp after it had been wound onto the warp beam and as it was passed to the cloth beam. Although later superseded by an improved sizing apparatus, this device made the power loom a practical tool.
Advances made by William Horrocks of Scotland between and included an improvement in the method of taking up the cloth (i.e., winding the woven fabric onto the cloth beam) and making a more compact machine of iron, requiring little space as compared with wooden handlooms.
Francis Cabot Lowell, of Boston, experimented with the power loom, adding improvements to increase the weaving speed, and also improved the dressing machine.
A valuable improvement was that of the let-off and take-up motions, to maintain uniform warp tension automatically. The principle of holding at the beat (i.e., not permitting the warp to be let off until the pick was beaten into place), first applied by Erastus Brigham Bigelow in the carpet loom, was successfully applied to all kinds of weaving. Another Bigelow invention, applicable to power looms in general although first used on a carpet loom, was the friction-brake stop mechanism, allowing the loom to be stopped without a shock.
These developments were primarily concerned with the power loom used for weaving plain goods. William Crompton, an English machinist working in the machine shop attached to a cotton factory in Massachusetts, undertook the development of a loom that could weave fancy goods, patented in both the United States and England in . The loom was later much improved by his son George Crompton. Such 19th-century inventions made possible the production of textile goods for every use in great volume and variety and at low cost.
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